Annette Funicello and John Tracy Clinic

Annette Funicello, former Disney Mouseketeer, died to day at age 70. RIP.  The photo seen below (circa 1959) is Annette reading a Teen magazine to a deaf boy wearing a hearing aid on his chest.  Annette was introduced to John Tracy Clinic by the JTC founding board member Walt Disney.

Perhaps the greatest link was John Tracy, Spencer and Louise Tracy’s son, who was born deaf. John had an interest in art and as a child started a newspaper. The first issue sported a Mickey Mouse cover with an inscription by Disney which read, “Good Luck to Johnny Tracy.”

Louise Tracy spent a great deal of her life establishing the John Tracy Clinic for families with deaf children. Having struggled to understand the best way to educate her son, she wanted to provide the best medical advice to other parents in the same situation. Disney donated $100 at the clinic’s inception and was a member of the original board of directors. When Disney toured the facility in 1043 and saw that the children were napping on mats on the floor, he donated cots and at Christmas sent over “a truck load of gifts – puppets and toys, all Disney-licensed, that could be used in teaching.”

Disney later funded a $12,000 short film, Listening Eyes, made by the clinic to explain its procedures and supplied the director, Larry Lansburgh, from his studio.

When the Disneys sailed on the Queen Elizabeth to Europe in July of 1952, Spencer Tracy was also on board and they socialized during the trip.

In 1957, Disney hired John Tracy, who by then had attended Choinard, to work at the studio. He eventually was in charge of the cel library. John left Disney when his sight deteriorated and he was no longer able to do the job.

In 1961, Disney was on the ticket sales committee for a fundraiser for the John Tracy Clinic and in 1967 after Walt’s and Spencer’s respective deaths, the Disney Foundation donated $100,000 to the John Tracy Clinic.

In the photo below the poster behind Annette announcing the annual Benefit Bazaar. 

John Tracy was the inspiration for Spencer Tracy and his wife to start the John Tracy Foundation.

"As a child, John Tracy couldn't have known that he would be the inspiration of a whole movement to give new hope to parents of children with hearing loss," Barbara F. Hecht, president of the clinic, told The Times.  

The clinic was among the first to start a hearing-impaired child's training in infancy and make parental education a critical component. It has helped an estimated 245,000 parents and children.  

It tries to educate "deaf children through their mothers and fathers, who otherwise would not know what to do with them.... I hoped it would help a great deal," John Tracy wrote in 1946 in the Volta Review, the journal of the Alexander Graham Bell Assn. for the Deaf and Hard of Hearing.  

The story, written when he was 22, was headlined "My Complicated Life."  

John Ten Broeck Tracy was born June 26, 1924, in Milwaukee to two actors who married between a matinee and evening performance.  

When Tracy was 10 months old, his mother became alarmed when a door that accidentally slammed shut failed to wake him.  

"I stopped suddenly.... I stood motionless beside his crib. I called his name again -- and then I shouted it. He slept on. And so I discovered our baby was deaf," she said years later.  

Afraid to tell anyone, even her husband, she consulted several doctors who told her that her son had "nerve damage, cause unknown." They also said he would never talk.  

The Tracys refused to accept doctors' advice to "wait -- in a few years he'll be old enough for a state school," a reference to deaf education that would start when he was 6.

"We went right on talking to Johnny, singing to him, telling him nursery rhymes, and as it turned out, that was just the right thing to do," Louise once said, according to a 1983 Times story.

You can read more of John Tracy's bio here who later in life in his old age became blind as well. John was born with Usher Syndrome and eventually became legally blind in the 1990s.

After attending what is now the California Institute of the Arts,

Tracy worked for several years in the art props department at Walt Disney Studios; Disney was a close family friend. Tracy stopped working when his eyesight started to fail in the late 1950s.

Well into adulthood, he learned that his deafness was due to Usher syndrome, a genetic disease that was also to blame for his fading vision. By the early 1990s, he was legally blind from retinitis pigmentosa.

John Tracy died in 2007 at the age of 82.

Defacing The Volta Bureau in D.C. and more

I've seen some recent pictures of those protesting against AGBell and the symposium today in Washington D.C. where pictures of AGBell's signs at the Volta Bureau in D.C. were defaced with adhesive tapes and placards covering them up though no permanent damage.

Just to make myself clear, I'm not against protesting per se but as long as it is done peacefully and leaving alone private properties by not defacing them and that a protest does not interrupt the normal course of business as an unintended consequence. It's worse when the intended consequence is to interrupt the normal course of a business. Protesting can be a tricky thing and sometimes the lines are blurred.

In Washington D.C. there are laws regarding graffiti and defacing private properties. In this case, the use of adhesive tapes and placards to alter signs at the Volta Bureau and such an action could be considered as defacing and even be called as "graffiti" (note my emphasis in the bold underline)

"(4) "Graffiti" means an inscription, writing, drawing, marking, or design that is painted, sprayed, etched, scratched, or otherwise placed on structures, buildings, dwellings, statues, monuments, fences, vehicles, or other similar materials that are on public or private property without the consent of the owner, manager, or agent in charge of the property, and the graffiti is visible from a public right-of-way.


"(5) "Graffiti material" means any aerosol can, bottle, spray device or other [*1614] mechanism designed to dispense paint or a similar substance under pressure, indelible marker, paint stick, adhesive label, and engraving device capable of leaving a visible mark on a natural or man-made surface.

The Volta Bureau is a private property. Also, graffiti doesn't mean it has to be permanent per se. You can see they used adhesives (tape) and with posters that were used to cover up the signs. The question is, do they intend to leave such markings behind ?

From D.C. criminal defense lawyers.

DC Graffiti/Defacement Laws & Penalties
The offense of graffiti is pretty self explanatory. But this doesn’t just apply to spray painting on walls or marking up a fence. You could face this charge for keying a car or smearing mud over the property of another.

According to the law, this offense applies when writing, drawing figures, cutting, chipping, covering, painting, or marking on public property or the private property of another without their permission.

Generally this offense carries up to 180 days in jail and $1,000 in fines. You will also likely be required to perform community service and pay restitution if convicted of defacement or graffiti. - Ref: DC Code 22-3312.01

Also, I've gotten reports of noise being made at near or inside the Omni Hotel in D.C. where the AGBell symposium is being held. This reminds me about D.C.'s local ordinance on creating noise during a protest. A few years back there was a protest at another hotel in D.C. where the problem of noise nuisance was raised. 

An effort was undertaken in 2008 to toughen the District’s unusually liberal noise laws but the city’s labor organizations orchestrated, with the help of D.C. Council member Jack Evans (D-Ward 2), an amendment limiting it to residential areas. “A noise shall not be considered a noise disturbance if it is made during noncommercial public speaking during the daytime and does not exceed 80 decibels inside the nearest occupied residence in districts zoned R-1A, R-1B, R-2, R-3 or R-4” is the relevant passage cited by the city’s Department of Consumer and Regulatory Affairs. That means no recourse for Ms. Iwamoto, who lives in a commercially zoned neighborhood one block away from the Madison — or for the many other residents whom city officials have successfully lured to mixed-use developments aimed at enlivening the downtown.


Labor officials argue that protest is the only method available to workers to fight for their rights against adversaries with greater resources. But the demonstrations of the Madison workers were not aimed at getting a message across; they were intended to create a nuisance that would cost the hotel business. No other city, according to the advocacy group Noise Free America, allows unlimited amplification in the name of free speech. Indeed, courts have upheld limitations on amplification to safeguard public health and safety. No one is suggesting that anyone’s voice be stifled, only that it not be artificially — and noxiously — augmented.

I agree. It's one thing to protest with a show of solidarity and support, and another thing when protesters deface private properties and artificially create loud noises that can interrupt services and/or businesses. Businesses do have the right to protect their customers and businesses from such interruptions. Such an example would be to make so much noise at the hotel that CART services couldn't be provided adequately for those attending at AGBell's Listening and Spoken Language Symposium (and that the police had to intervene to stop the noise interruption).

Even Sean Gerlis said this about Deaf protesters defacing/desecrating a private property:

On behalf of Bobbie Beth Scoggins, Prez of NAD & myself, we NAD do not condone this behavior....to desecrate AGB's building.

Glad to hear that the protest went without much of a hitch and was for the large part peacefully done despite a few obnoxious moments and the arrival of several police cars to the scene of the protest outside of the hotel building where the symposium was held, and that protesters were told to leave the hotel.

ADDENDUM: Sorry to say this but no where did I say the taping incident damaged the AGBell plaque signage on the front of its building. No where did I say that police complained. Although I seriously doubt the people inside of The Volta Bureau building were aware of the defacing that took place taking only minutes to do and removed. Just a matter of the fact that defacing did occur and I made it clear from the beginning of this blog that no permanent damage was done in the first place. Sorry Patti, your screaming and hyperventilating isn't helping all this. NAD made it clear that they supported the protest in principle but not the covering up the AGBell signs and such. We know which group is the more mature ones.